Sábado, Março 31, 2007

MY SONGS OF THE SIXTIES - PART 1


Once upon a time there was a sweet loving girl called Marianne...
No woman from the 1960s lost her youth as thoroughly as Marianne Faithfull. And by youth, I mean her innocence, not her looks. Long after that decade ended, she wrote in a song, "Where did it go to ... my youth?" She answered herself only last year with lyrics that begin, "I drink and I take drugs/I love sex and move around a lot." And no citizen of the '60s drank, took drugs and had sex with Faithfull's public abandon.
This new Rato's collection, in two parts, reunites 50 great songs that she recorded during the sixties, before her personal life went into decline, and her career went into a tailspin. Here's the first part. Enjoy it!

Domingo, Março 25, 2007

THE BOB DYLAN SONGBOOK VOLUME 3


And the Dylanesque saga continues...

Sexta-feira, Março 23, 2007

THAT'S THE WAY IT IS!


Original Released on LP RCA-VICTOR LSP 4445
(DECEMBER 1970)
On July 31, 1969, after appearing in the acclaimed NBC-TV show, "Elvis" - affectionately known as the "68 Comeback" ­ Elvis returned to the stage in Las Vegas. Physically and mentally, he was at his peak and doing what he loved best ­ performing live!
The audience and critics were mesmerized as he commanded the stage with a panther-like prowess and sang live for the first time in eight years! The International Hotel in Las Vegas had never seen anything like it.
The many fans who were unable to experience this special occasion would have to wait until the film "That's The Way It Is!" was released in December 1970, to appreciate the charisma and energy of Elvis, live in concert.
The deal was signed with MGM on May 22, 1970 and provided for a rock-u-mentary to be filmed at Elvis' "Summer Festival" in Las Vegas which commenced on August 10. RCA and MGM recorded eight shows that week and the film and accompanying soundtrack were an instant success.

Ironically, the album only contained 4 live songs. The remaining performances were taken from the June sessions in Nashville. Two singles were released to promote the soundtrack; "I've lost You" (studio version) /"The Next Step Is Love" and "You Don't Have To Say You Love Me"/"Patch It Up". They reached #32 and #11 respectively on the Billboard charts.
In England, both singles reached #9 and in December '71, "I Just Can't Help Believing" was released by public demand and reached #6! The album enjoyed a long chart run on both sides of the Atlantic and reached #21 and #12 respectively.
"That's The Way It Is!" was certified gold and represents Elvis at his best. This was an important landmark in the multi-faceted career of the world's greatest recording artist of all time.

Quinta-feira, Março 22, 2007

THE CRY OF LOVE


Original Released on LP Reprise MS 2034
(1971, March 5)
When Jimi died, on September 18, 1970, he left behind a lot of unfinished material for his next record; ment to be called The Cry Of Love or The Rising Sun. Actually, he had been putting aside tapes of what he has the most satisfied with for the past years, to this album. After his death, Eddie Kramer and Mitch Mitchell sat down to organize his library of halfly finished tapes, and arrange them into an album. Mitch played a whole lot of things again, and added new stuff where something was missing.
Because of the general excellence of the engineering and production, it's hard to say just how complete the album was before his death, but it is clear that if these tracks were mostly finished and in the can, then the only thing holding up their release must have been Jimi himself. They are that good.The state of the songs ranged from Night Bird Flying and Freedom, wich was almost finished, to Angel and Drifting, that was missing serious amouts of work. After five months, the record was ready for release.

"The Cry of Love" was Hendrix' final effort, and it is a beautiful, poignant testimonial, a fitting coda to the career of a man who was clearly the finest electric guitarist to be produced by the Sixties. This record seems more complete than the album Janis left for us, but like Pearl, it too seems strangely foreshortened, a venture caught in the process of becoming and suddenly halted. The fact that "The Cry of Love" is still as good as it is must serve as some sort of reminder as to just how large looms the shadow of its creator.
NOTE: In 1997, this album was re-released under the name "The First Rays Of The New Rising Sun", where the ten tracks were mixed with seven more tracks (!). Sincerely, there are things which I really don't understand at all! Why adulterate something that is perfect? Well, never mind, here you have this Hendrix great last album in its pure and original release.

Terça-feira, Março 20, 2007

THE LONELY SURFER


Original Released on LP Reprise R9 6101 (1963)
Jack Nitzsche had one brush with greatness early in his career, apart from his job as Phil Spector's arranger — "The Lonely Surfer" a classic of the surf music genre. This album attempted to extend his solo career beyond that of a one-hit wonder, with mixed success. The best cuts are songs that are in the same surfer mold: Puerto Vallarta, Baja, and Beyond the Surf. Nitzsche had a gift for melodramatic, ascending arrangements that rose to dramatic crescendos, underpinned by rumbling basslines and clanging percussion. Less successful are a super-slow take on Da Doo Ron Ron and remakes of easy listening and soundtrack hits such as Ebb Tide and More, which are given a precious sheen of strings. The one exception is a rather rocking version of Elmer Bernstein's Magnificent Seven,which sounds like it was made for dancing. This is a pleasant, if not exceptional, set of music for fans of surf instrumentals.
(Mary Grady in AllMusic)

Sábado, Março 17, 2007

THE BOB DYLAN SONGBOOK VOLUME 2


And here you have twenty-one more covers of Mr. Dylan's timeless songs. From 1965 to 2002, the selection is again very ecletic (but great) and I hope you'll find around here at least a couple of rarities for your personal archive. Enjoy and get it while it lasts! The third volume will appear soon...

Domingo, Março 11, 2007

THE BOB DYLAN SONGBOOK VOLUME 1


Besides The Beatles it's maybe Bob Dylan who's work has been more covered through the years: his songs are sung everywhere by hundreds of other artists. So, Rato Records begin to reunite here the best covers ever made, along with some rarities too. I hope this new collection brings you lots of pleasures. Enjoy it!

Sábado, Março 10, 2007

BOWIE REVISITED


This is a dream come true. An album collecting most covers done by other artists in the 1967-74 period. Many of these songs are so obscure that they haven't even been seen on bootlegs, among tape collectors or downloaders. Since 1974, compilation albums like this has been promised the fans, but never materialized due to contractual reasons. The exception was in 1997 when The Bowie Songbook CD was released. It was a half-hearted attempt, but had reedeming qualities in Blondie's Heroes and Bauhaus' Ziggy Stardust. But no other such album has been out.
This album has three previously unreleased tracks onboard as well: Dana Gillespie's Andy Warhol (1971 mix), Lulu's The Man Who Sold The World (alternate mix) and John Cougar Mellencamp's The Man Who Sold The World. To make a long story short: This is a damn well selected and well made collection. I can't find any faults here. It's up on the standard of the products of Rhino Records in California. (in Amazon)

Sexta-feira, Março 09, 2007

NOTHING BUT ACES


Original Released on LP Decca PFS 4157 (1969)
Nothing but Aces from 1969 pairs Caterina Valente and Edmundo Ros in nine Latin evergreens and three English hits (in Spanish translations) for a joyful, intimate romp. To say that this album is good is an understatement - it's phenomenal. Each piece has a different sound and is approached from a deep understanding of the music, lyrics, and country of origin. Valente and Ros get inside this music, and consequently it sounds fresh and effervescent. Valente and Ros start with the traditional La Bamba, then move to Brazil for Ovalle's Azulão and then hit McCartney's Fool on the Hill in a Spanish translation. Sabor a mi (better known to English listeners as Be True to Me) is rendered in a soft, lush, atmosphere. Arguably, the best thing on the disc is the Spanish translation of Dream a Little Dream of Me - the only rendition I can think of that tops Caterina's is Doris Day's 1956 recording of the piece with Paul Weston. Ros is Valente's duet partner in several of the pieces and it sounds as if the two really clicked in the studio. In my opinion, they are a perfect match; they really know this music and toss off the pieces with aplomb. (in Amazon)